‘Long Distance Relationship’ exhibition showcases artist collaboration in a socially distanced world

‘Long Distance Relationship’ exhibition showcases artist collaboration in a socially distanced world


During a year largely defined by social distancing, lockdowns and the COVID-19 pandemic, many individuals have found comfort in virtual events. Online art galleries and events have enabled artists to continue creating and displaying their works throughout the past year. For 15 student artists from the Mount Holyoke College classes of 2020 and 2021, the “Long Distance Relationship” virtual exhibition allowed them to share their “Senior Studio” capstone course projects with the Mount Holyoke community and a wider virtual audience.

Michelle Zauner has been busy, but she still has time to make bangers

Michelle Zauner has been busy, but she still has time to make bangers

Michelle Zauner, better known by her stage name, Japanese Breakfast, has had a busy spring. Her memoir, “Crying in H Mart,” was released in April and reached number two on The New York Times Best Sellers list. Zauner then released the third Japanese Breakfast studio album, entitled “Jubilee,” in early June. Both the memoir and album have defined my June: the book’s jacket is still filled with sand from a trip to the beach, and I have particularly enjoyed playing “Jubilee” in the car with the windows down.


‘Seaspiracy’ is an expose of a capitalistic hellscape

‘Seaspiracy’ is an expose of a capitalistic hellscape

“Seaspiracy,” a Netflix documentary released on March 24, attempts to draw viewers in as it takes them on a journey across the globe. It begins by explaining how ocean debris affects marine life, and the film soon transforms into an in-depth look at the corruption of the fishing industry and the destruction of the ocean it causes. Here’s what “Seaspiracy” explores through its investigative journalism.

‘The Art of Remembering’: Exploring nostalgia during COVID-19

The Mount Holyoke College Art Museum has not let the COVID-19 pandemic stop it from engaging with students. “Sightlines Tours,” which are live and interactive student-led thematic tours of the 3D museum, are available until May 1.

‘Fearless (Taylor’s Version)’ is a nostalgic trip with a twist of self-acceptance

‘Fearless (Taylor’s Version)’ is a nostalgic trip with a twist of self-acceptance

Personally, if you told me to recite the poetry I wrote at 17 years old, I would run screaming into the woods. Apparently Taylor Swift, though, isn’t afraid of her adolescent self, as proven by the rerecording of her 2008 album “Fearless.”

Russian Club hosts annual poetry night, ‘Wild Honey’

Russian Club hosts annual poetry night, ‘Wild Honey’

Chances are that if you’ve spent any amount of time on the Mount Holyoke campus, you have probably encountered at least one of the many flyers that can be found urging students to “TAKE RUSSIAN: NOW IS THE TIME.” This past week, the department welcomed the Mount Holyoke community to the annual arts event “Wild Honey: An Evening of Russian Poetry.” The event is named after the play by Anton Chekhov and hosted by the Mount Holyoke Russian Club.

A Queer Analysis of ‘MONTERO (Call Me By Your Name)’

A Queer Analysis of ‘MONTERO (Call Me By Your Name)’

Ever since the openly gay Grammy-winning singer-songwriter Montero Lamar Hill, better known as Lil Nas X, released the official music video for his hit single “MONTERO (Call Me By Your Name),” everything from accusations of plagiarism to legal troubles has followed in his wake.

Anpa’o Locke ’21 wins Best Experimental Film award at the Five College Film Festival

There is something about Anpa’o Locke ’21’s visual art that compels, draws you in and makes you listen. Hailing from Standing Rock Nation in Dakota Territory, Locke is a firebrand of a filmmaker, ready to engage her audience with confidence and determination.

Relyn G. Myrthil ’19 lands Silkroad ensemble internship

Relyn G. Myrthil ’19, an artistic administrator, independent curator and art and music historian, recently landed an internship at Silkroad, a Grammy-winning touring ensemble of global musicians founded by cellist Yo-Yo Ma in 1998.

Sounds of Moho Playlist: February Edition

[Image text: WMHC has been Mount Holyoke's independent, student-run radio station since 1952. To catch WMHC’s most recent programming, scan this QR Code or listen on air at 91.5 FM. WMHC Music Director Top Songs from February:Sophie Maxfield '2…

[Image text: WMHC has been Mount Holyoke's independent, student-run radio station since 1952. To catch WMHC’s most recent programming, scan this QR Code or listen on air at 91.5 FM. 

WMHC Music Director Top Songs from February:

Sophie Maxfield '21→ NOTICE by JIMMY EDGAR 

Lucy James-Olson '22 → Reason to Believe by Vagabon ft. Courtney Barnett”


Watching ‘The Bachelor’ and ‘The Bachelorette’ with rose-colored glasses

Anyone close to me knows that I’m a hopeless romantic who watches ABC’s popular reality dating programs, “The Bachelor” and “The Bachelorette,” to see love-crazed singles attempt to find their future spouses. I became interested in the franchise as a sophomore in high school, and I have been obsessed ever since. As a white viewer, I wasn’t focused on the shows’ lack of diversity even though the majority of contestants were white and the first Black lead, Rachel Lindsay, only appeared in 2017.

Obama and Springsteen team up for Spotify podcast

Obama and Springsteen team up for Spotify podcast

On Feb. 22, 2021, former United States President Barack Obama and Rock and Roll Hall of Fame inductee Bruce Springsteen of the E Street Band released the first two episodes of their eight-part podcast series, “Renegades: Born in the USA,” on Spotify.

Chloé Zhao ’05 Paints an Intimate Portrait of Transient Life in ‘Nomadland’

Chloé Zhao ’05 Paints an Intimate Portrait of Transient Life in ‘Nomadland’

Following the pattern set by her earlier films, Chloé Zhao ’05’s “Nomadland,” which launched on Hulu and in select theaters on Friday, Feb. 19, is an intimate portrayal of an often overlooked community. Frances McDormand stars as Fern, a woman who lost her husband, her job and her town — Empire, Nevada, a real place which closed after the local factory shut down — and embarks on a journey that takes her across the country and back again in pursuit of work and meaning.

‘Framing Britney Spears’: An in-Depth Look into Toxic Celeb Culture

‘Framing Britney Spears’: An in-Depth Look into Toxic Celeb Culture


“If Britney can get through 2007, you can get through anything” is just one of the viral pop culture phrases often thrown around social media. But the 2021 New York Times documentary “Framing Britney Spears” urges the audience to consider Spears today, living under the conservatorship of her father. The documentary provides an extensive view of the pop sensation and her career, dealing with the life of Spears not as a celebrity, but as a person.

Artist Profile: Kay Brown

From a young age, Kay Brown ’24 has had an affinity for the arts. As a Black woman, she often did not see herself represented in the fields she was interested in. Using her Southern roots and a passion for racial justice dialogue as her inspiration, Brown launched the e-magazine “Disturbance” in August 2020. The Mount Holyoke News recently met with Brown to ask her some questions about the last six months of publication and what the future might hold for “Disturbance.”

‘Through Their Eyes’: Celebrating Blackness at MHC

‘Through Their Eyes’: Celebrating Blackness at MHC

A Black woman in an intricately patterned quilted gown examines herself using a hand-held mirror. The other hand rests delicately on her temple. Her face is frozen in a state of self-analysis.

This photograph, titled “I Looked and Looked and Failed to See What so Terrified You,” is just one image from artist and photographer Carrie Mae Weems’ series “The Louisiana Project.” Weems’ piece was the concluding image in the student-led guided art tour “Through Their Eyes: Blackness Across Media,” which took place last Friday, Feb. 5.

SOPHIE: A Tribute

SOPHIE: A Tribute

Grammy-nominated music producer and trans activist Sophie Xeon passed away last week in Athens, Greece, in an accidental fall. The artist, who went by the mononym SOPHIE, was 34.

Transgressive and Future Classic, SOPHIE’s record labels, said in a joint statement, “True to her spirituality[,] she had climbed up to watch the full moon and accidentally slipped and fell. She will always be here with us. The family thank[s] everyone for their love and support and request[s] privacy at this devastating time.”

Sounds of MoHo Playlist: January Edition

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We asked Mount Holyoke students to tell us which songs dominated their playlists and which artists they had playing on a loop all January. These were the results!


Top Songs:

  1. Driver’s License by Olivia Rodrigo 

  2. Good Days by SZA 

  3. Fallin' (Adrenaline) by Why Don't We


Top Artists: 

  1. Taylor Swift 

  2. Hozier 

  3. One Direction 


Songs that made the cut:

  1. Honey by Mariah Carey

  2. drivers license by Olivia Rodrigo

  3. Maniac by Conan Gray

  4. Fracture by Stephen Moccio

  5. Girl Almighty by One Direction

  6. Diana by One Direction

  7. Wonder by Shawn Mendes

  8. Falling by Harry Styles

  9. Two Birds by Regina Spektor

  10. Cold by Marc E. Bassey, Buddy

Scan this code to find the Sounds of MoHo playlist.

Scan this code to find the Sounds of MoHo playlist.


‘Bridgerton’ Review: Historical Fallacies Fall Flat

By Jendayi Leben-Martin ’24

Contributing Writer

“Bridgerton,” a show released on Netflix on Christmas, is a period drama and romance series that has become so popular it’s brought Regency-era jewelry back into style. The show centers on the wealthy Bridgerton family and the people surrounding them as they embark on a journey to find love in one of the most affluent towns in Regency London. With Netflix being recently criticized for a lack of diversity in its casts and its portrayal of characters of color (when they are cast), many eyes were on “Bridgerton.” The show comes close to breaking through the standard Netflix has set for storylines of Black and queer characters, but regrettably misses the mark. 

The drama features characters of all races living in historically inaccurate harmony in wealthy London. For several episodes, “Bridgerton” doesn’t acknowledge the question that seems obvious to me: How did this racial harmony come to be? 

The casting directors used a method called “blind casting” where they didn’t select actors based off of their race. While “Bridgerton” is not the first project to use this method (ever heard of a musical called “Hamilton”?), it is not as “woke” a decision as many might think. Aside from the pros and cons of blind casting itself, I thought that the writers and producers (including Shonda Rhimes, who is also responsible for TV sensations “Scandal” and “Grey’s Anatomy”) chose to completely ignore the idea of race in the show and simply have the characters interact with no mention of their differences. Though I can’t say I completely agree with this method or with blind casting in general, I initially thought that this was a refreshing way to produce a show. I appreciated that the Black actors did not play Black characters, but simply played characters. 

Unfortunately, just as I was making my way through the season and my respect for the show was growing, it all shattered in one scene. 

In the fourth episode, Lady Danbury (Adjoa Andoh) explains how racial relations in their society came to be. She reminds Simon (Regé-Jean Page) that the marriage between King George and Queen Charlotte, who is Black, has given Black people the opportunity to integrate seamlessly into society with no lasting negative effects or biases. While I understand that “Bridgerton” is a romance and that the creators are more committed to the sex scenes than they are to historical accuracy, the blatant disregard for race and the struggles undergone by people of color is hard to ignore. Put plainly, Black people have been literally risking their lives for hundreds of years just to be seen as equal to white people under the law, and in 2021, we are still so far from that goal. For the writers of “Bridgerton” to say that all racism and racial biases end with the union of a white king and an incredibly light-skinned queen is a slap in the face to the bitter reality of racism that has been at the forefront of many of our minds for the past year. 

Unfortunately, race is not the only heavy theme “Bridgerton” brushes over. When Benedict, one of the Bridgerton brothers, attends a party with his friend Henry Granville, who happens to be a successful artist, he finds Henry in a room making out with an unknown man. I had been anticipating something like this, as I sensed sexual tension between the two from the moment they met. However, the show does not go anywhere with this story. Benedict simply confronts Henry, who is married to a woman, and he responds with a short monologue that can be summed up along the lines of “love is love.” Of course, we can all agree that representation is important in shows and movies, but one of the troubles of trying to include different types of marginalized characters simply for the sake of including them is that the characters often fall flat. This is exactly what happens with Henry Granville. 

All in all, “Bridgerton” does a good job of creating a beautiful, whimsical world for viewers to escape into for eight episodes. However, shows shouldn’t haphazardly include Black or queer storylines that they are not prepared to flesh out. When writers, directors and producers add diversity to their casts and characters simply in order to say that they have done so rather than because they actually care about those stories, it shows. I regret to say that “Bridgerton” comes across as one of those projects.