Mount Holyoke held the 98th Kathryn Irene Glascock Intercollegiate Poetry Contest from March 25 to March 27. Normally held in Gamble Auditorium, this year’s competition was held virtually on Zoom due to the ongoing COVID-19 pandemic. The first day of the event was dedicated to a conversation with the judges. The event was intentionally set to “meeting” instead of “webinar” style, allowing the poets to better connect with the audience as they answered questions.
Pictured above: the headshot of Anna Maria Hong.
By Amelia Scarponi ’23
Staff Writer
On the evening of Thursday, Oct. 29, the Odyssey Bookshop welcomed Anna Maria Hong, assistant professor of English at Mount Holyoke, to read from and speak about her second poetry collection “Fablesque.” The collection was awarded the Tupelo Press Berkshire Prize for a First or Second Book of Poetry in 2020.
Published in September, “‘Fablesque’ harnesses the power of old tales to dispel the disenchantments of women and animals in the #MeToo era,” according to its blurb. “The poems and prose pieces allude to animals real or imaginary, sometimes fantastical and often mythical,” Hong explained at the reading. Hong was joined by Andrea Lawlor, assistant professor of English at Mount Holyoke and author of “Paul Takes the Form of a Mortal Girl.”
Though the pandemic led to the closure of campus and mandated social distancing, Zoom provided a relaxed and personal conversation between author and audience. Hong recognized the stress of the presidential election with a bit of humor, encouraging “everyone to make this a relaxing experience, lie on the floor, have a second glass of rosé or do yoga. Remember, we can’t see you,” she laughed. “It’s been another terrible week, almost crushing, but I would like to dedicate my first poem tonight to those who are voting for the first time in force, including my students,” Hong said.
“Siren,” the first poem read, is an ode to her love of sonnets and the comfort she feels working with a confined form. It conveys the double standards and obstacles women face. “Rip out the knees of the patriarchy,” Hong read. “No one cares if you're half-beast if you’ve got a great rack.” She confessed she is always aiming for wit, though rage is certainly on the surface of every word.
Erica Hawes ’22 tuned in from Bristol, England. “I’m a bibliophile, and the Odyssey felt like my second home,” she said. “I never left [campus] without purchasing a new book. Attending author readings and events with my friends was a weekly occurrence! Even though it’s 12 a.m. and my friends and I are all on different continents, we feel like we are back on campus together. Professor Hong is an incredible professor and her humor was not lost through Zoom.”
Lawlor influenced the dialogue during the Q&A session, laughing, “I don’t want to hog all the question time.” But members of the audience weren’t shy to ask questions as the event progressed. Lawlor kicked off the Q&A with praise and curiosity about Hong’s relationship to lyrical writing and sound, asking if it has been a driving agent in her work.
“I’ve been drafting these sonnets for several years. At some point I figured out that sound was smarter than I am,” Hong responded. “Sometimes I know what sound is but I don’t know what the word is. At the end of the day, I love working with the music of language.” Her inspirations range from Sylvia Plath to Gwendolyn Brooks.
One audience member asked how teaching influenced Hong’s writing. She admitted that she resisted teaching before discovering it was her second calling, which gave her the energy and passion to write. “If you have the privilege to teach about writing, you always think about writing,” she said.
Another individual expressed curiosity about finding the motivation to write. “Truthfully,” Hong replied, “I’m not as disciplined as I’d like to be. I write when I can and I try to make it a priority. I’ve found you really have to work with yourself if it’s something you love.”
Currently, Hong is working on a new collection of poetry “for her own sanity,” as well as a collection of daily meditations combining collage and prose in collaboration with visual artist Jill Moser. Moser is an abstract painter based in New York whose work is displayed in galleries and museums throughout the United States, most notably in the Metropolitan Museum of Art.
Hong ended with some words of wisdom that double as a glimpse of reality for aspiring writers: “The majority of my work is discarded, but there are poems that really fight for their lives, that still want to be written.”
