Kinsey Ratzman

Billboard rejects “Old Town Road,” igniting genre controversy

Billboard rejects “Old Town Road,” igniting genre controversy

BY EMILY ROLES FOTSO ’21

20-year-old Montero Lamar Hill, better known by his stage name, Lil Nas X, has had an eventful few months. It all started with the release of his nowfamous single, “Old Town Road,” in early December. The song was released during the rise of what many call the “Yeehaw Agenda,” a meme that blends cowboy aesthetics with mainstream humor, and bends genres to create what Hill himself calls “country trap.”

Jordan Peele’s “Us” isn’t perfect, but it’s a pretty damn good horror film

Jordan Peele’s “Us” isn’t perfect, but it’s a pretty damn good horror film

BY KIRAN PENMAN ’19

From director Jordan Peele’s growing body of work, it’s becoming increasingly obvious that there is no better choice for the voice of the new CBS “Twilight Zone” series. Peele’s first film, “Get Out,” demonstrated that he is a master at crafting tales of horror and intrigue. “Get Out” was achieved with undeniable cleverness; there’s a kind of art to the way he weaves his films’ plot together, where everything seems to have a setup and a payoff. Peele takes great care with detail, a fact which is equally clear in his latest film “Us,” which follows the story of a family on vacation who are confronted by their own doppelgangers

Netflix’s “Sex Education” is a progressive coming of age story

Netflix’s “Sex Education” is a progressive coming of age story

BY CHLOE JENSEN ’20

Who among us does not enjoy a good binge-worthy Netflix show to soothe post-finals stress? I know I certainly do. After re-watching several episodes of “Gilmore Girls” and “Stranger Things” over winter break, I found myself craving a new, exciting, binge-worthy show. On Jan. 11, Netflix released its original series “Sex Education,” a funny, heartwarming and honest British show.

End of the F***ing World

End of the F***ing World

“The End of the F***ing World” is part coming-of-age story, part “Pulp Fiction” tribute, with viewers following moody teenager Alyssa (Jessica Barden) and self-proclaimed psychopath James (Alex Lawther) as they try to outmaneuver the police — and their parents — after running away from home. Set to a retro soundtrack of American rock and doo-wop hits, the scrawny fugitives leave a path of destruction in their wake.

Review of “Pocket Camp”

 Review of “Pocket Camp”

BY CHLOE JENSEN ’20

After much anticipation, Nintendo released the newest version of  the popular game “Animal Crossing,” called “Pocket Camp,” for iPhone and Android players on Nov. 21. While Animal Crossing’s revival is a nostalgic moment for those who played it on GameCube or Wii, it has also gained a younger following of avid phone gamers. According to the research firm SensorTowers, the new mobile game has been downloaded more than 15 million times since its release. “Pocket Camp” is more accessible than previous games, which required the purchase of both a game and a gaming system. Though “Pocket Camp” has fewer features than the original games, it manages to evoke just enough fun to make playing a worthwhile experience.