By Rowan Berstein ’22 & Rose Cohen ’22
Staff Writer | Arts & Entertainment Editor
Photo courtesy of Wei Shao ‘22
The show’s lighting was by Rori Haft ‘25, with set design by Wei Shao ‘22
Beginning on March 31 and running through April 3, Rooke Theatre staged the first live, in-person production of Azure D. Osborne-Lee’s new full-length play, “Red Rainbow.” The play, which has its characters embark on a fantastical journey through a strange world, was selected as a part of the film, media, theater department’s effort to center nonwhite narratives.
Photo courtesy of Wei Shao ‘22
Mount Holyoke student actors perform in the first live, in-production of Azure D. Osborne Lee’s new full-length play, “Red Rainbow,” which ran from March 31 to April 3
“Red Rainbow,” directed by Theatre Arts major Zoë Fieldman ’22, follows a young woman named Ixchel (Arianna Peña ’25) as she and her friend Nathaniel (Adjoa Baidoo ’24) are transported through a circle of mushrooms to a magical world. Along with strange beings, like a sentient network of mushrooms, Ixchel meets gods and humans who help her connect with her Mayan heritage. They also teach her how to give her abuelita, whose spirit is caught between life and death, a proper funeral — one appropriate to her culture.
Ixchel shares her name with a Mayan goddess of healing and midwifery, a fact that was explained in an insert in the show’s program, which elaborated on some of the cultural details found in the play.
Georgia Rose ’25, who played Sunface or El Sol Sí Mismo , an antagonist who pursues the main characters on their journey, had a positive experience acting in the play. “What I loved so much about this production was that it was very collaborative,” Rose said. “Whenever we had an idea or a concern, [Fieldman] was so open and took our thoughts into consideration much more than any other production I’ve been in.”
Maelyn Brade ’25, who took on the role of Officer, echoed what Rose said about being involved in “Red Rainbow.”
“My experience working on ‘Red Rainbow’ has been nothing but magical, in more ways than one,” Brade said. “Throughout the process I feel I got to know more about the theater department, while also bonding with some amazing people.”
Fieldman found it important to foster this kind of environment during the duration of the play and the rehearsals leading up to it. “I am much more interested in experimental and non-traditional work … under which the role ‘director’ looks much different than as we learn about it to be,” they said. “I wanted to choose a cast that would work with me and be excited about collaborating on their performance.”
Part of this collaborative process included stage combat, choreographed by Assistant Professor of Film Media Theater Noah Ilya-Alexis Tuleja. Sunface wields an axe in the play, intending to participate in a ceremonial battle between the Sun and the Morning Star, or Venus, representing the eternal conflict of the two celestial bodies. This relationship becomes a problem for the protagonists, as Sunface expects Nathaniel to take on the role of his adversary.
“My quarantine hobby was learning from lightsaber videos on TikTok,” Rose said, “so, I think I was well prepared to handle the axe.”
It’s fitting that Rose drew inspiration for the role from her time in quarantine, as “Red Rainbow” takes place during the COVID-19 pandemic. Feelings of isolation and a desire to escape influence the characters’ motivations throughout the play. In fact, their journey begins with Nathaniel trying to get Ixchel out of the house after months of isolation. Additionally, many moments of comedy come from references to the pandemic, like Ixchel and Nathaniel struggling to put on their gloves and face masks.
In an unexpected moment during the Saturday evening performance, one of Nathaniel’s ear loops snapped as he attempted to put on his mask. Baidoo quickly recovered with an improvised line about always bringing a spare, and was met with laughter from members of the audience — it seemed that many could relate to the feeling of a mask mishap.
Fieldman commented on Baidoo’s improvisation, “I encouraged the cast to have some fun with the script and to improvise a bit — though not too much or else our stage manager would have difficulty calling the show — as an attempt to work with a script that was also still in process.”
The script of “Red Rainbow” is described as a “living document” in Fieldman’s director’s note, and the production at Rooke Theatre was the first time the show was staged in person after it was written in 2020 and initially premiered over Zoom.
“It was my intention to find a new play going into this process,” Fieldman said. “ I am more interested in process oriented art making versus a more final product focus.” Future productions of “Red Rainbow” will likely look quite different from this one, but Mount Holyoke had a unique opportunity to showcase the play so early in its life.
Editor’s note: Arianna Peña ’25 is a member of Mount Holyoke News.