“The White Lotus,” one of the most talked-about television shows of summer 2021, is deceptive from the onset. The series begins with a mystery, but as it unfolds it becomes clear that hot-button issues such as class struggle and race are at the center of the narrative. Although I first became interested in the HBO six-episode limited series upon viewing the opening shots, which display a dead body being loaded onto a plane, I noticed the show ends up leaning more toward satire than a sincere whodunit.
Hasan Minhaj’s “Patriot Act” stretches confines of genre
“Thoroughbreds” is a chilly, sophisticated thriller
BY EMMA MARTIN ’20
“Do you ever think about just killing him?” Amanda (Olivia Cooke, “Me, Earl and the Dying Girl”) asks her kind-of new friend Lily (Anya Taylor-Joy, “The Witch”) in a memorable scene from psychological thriller “Thoroughbreds,” the feature debut of writer-director Corey Finley. As Amanda casually uncorks a bottle of wine, the two teens first discuss the main subject of the movie — their plan to kill Lily’s stepfather Mark (Paul Sparks, “The Greatest Showman”).