By Jahnavi Pradeep ’23
Staff Writer
Bollywood film and its supporting industries have long been a source of fascination and devotion for Indian audiences, permeating our lifestyles and making us experts on its movies and stars. However, this obsession has pervasively occupied media and government focus in recent times, making it a playground for controversy and moral debates. This has strengthened misogynistic discourses within the country and replaced media spaces meant for more critical national information.
The media focus on the Bollywood industry began with the death of actor Sushant Singh Rajput in mid-June. The resulting investigation has heavily focused on his girlfriend, Rhea Chakraborty, who was recently arrested on charges of supplying him marijuana. The media coverage has repeatedly slandered her and spread several conspiracy theories. Had she intentionally made him overdose? Was she trying to steal his money? Even leading news platforms such as Republic TV — a right-leaning prominent Indian news channel — painted her in a negative light, insinuating that she was a gold digger who had murdered her boyfriend. What happened to innocent until proven guilty?
The case also led to a separate drug probe in which other Bollywood stars were questioned for their involvement with marijuana. Interestingly, all of the accused so far have been female actors.
This issue illuminates moral debates about women in India. There have been long-standing stereotypes against women in the film industry, regarding them as morally loose since they perform and showcase their bodies on screen. Adding in drug use only furthers the patriarchal practice of policing female bodies. Associating women’s usage of recreational drugs with the death of a man demonstrates the perceived danger of such behavior and results in criminal allegations against women.
Recently, a relative of mine mentioned how there will only be a change in drug usage and other habits in the common people when more prominent names are punished. Surely, if drug usage in everyday people is a problem, there is a better and more systematic approach to this, one that does not involve a smear campaign against solely female celebrities. Additionally, if we are debating recreational drug usage (mainly marijuana), why are only women being pulled into it? It is hard to believe that no men use marijuana.
Media outlets have become saturated with accused actresses’ names flashing across the headlines of different papers, tablet screens and ordinary conversations. In this process, other news, such as that regarding the pandemic, has been pushed to the sidelines. The government recently claimed it had no data on the deaths of health care workers and migrant workers. This reflects the irresponsibility of the government to support its biggest sources of support during this time. Tracking the numbers of deaths is the least the government can do to pay respect to these workers. If headlines and government agencies can find so much information relating to one superstar’s death, why can’t they document the deaths of thousands of heroes?
The Indian government has consistently centered itself around ideologies. Is this another tactic for the government to shy away from their responsibilities and preoccupy their citizens with more sensationalized headlines? Silence is the only thing honoring these workers’ deaths.
Mahua Moitra ’98, a member of India’s parliament and a Mount Holyoke alum, spoke to these events via Twitter. “Turning SSR into Bihar vs Maha & now a new Bollywood drama to focus attention from -23.9 percent GDP growth, Centre’s default on state’s GST dues, China border fiasco & host of other issues. No one plays the distraction game better than ModiShah!” one Tweet read.
Another of Moitra’s tweets stated, “Once the ModiMedia stops obsessing over Bollywood dramas maybe they’ll ask the @BJP government questions about what really matters.”
The other day, when I told my friend about my article, she laughed and told me to keep myself and my social media apps safe from the government. Have they achieved their goal? To use controversies to incite fear in their citizens and use this as their ruling weapon over open and well-informed media and structural change?
Media in India has become a platform for patriarchal discussions on morality, drugs and Bollywood, instead of grounds for more meaningful conversations such as the pandemic and the government’s response to it. Is the Indian media hiding its reality behind the Bollywood industry’s controversies and feeding this to the cinephilic commoner instead of important news on government policies and responsibilities?