Jahiya Clark

Solange’s “When I Get Home” an ode to black Texans

BY JAHIYA CLARK ’20

Singer-songwriter Solange Knowles released her fourth studio album, “When I Get Home,” and accompanying 33-minute video, “A Texas Film,” on March 1. From black cowboys to afrofuturistic visions of her hometown of Houston, Solange constructs her album in praise of black Southern life. She uses sounds from today’s mainstream music that are easy to sing and dance along to, while her style and lyricism create something completely new.

Schumer’s “I Feel Pretty” Struggles to Empower Women

Schumer’s “I Feel Pretty” Struggles to Empower Women

BY JAHIYA CLARK ’20

Society has conditioned women to believe that they must look “pretty” to be happy, but how valuable is  feeling “pretty?” In Amy Schumer’s new comedy “I Feel Pretty,” the running joke for most of the film is that the main character, Renee Bennett (played by Schumer, “Trainwreck”) thinks she is conventionally pretty. The joke is that it’s only in her head.

REVIEW: Wes Anderson’s “Isle of Dogs” refuses to sit and stay

BY JAHIYA  CLARK ’20

Hell hath no fury like man’s best friend scorned in the new Wes Anderson film, “Isle of Dogs.” Set in the futuristic dystopian city of Megasaki, the film’s main characters — or canines — were show dogs or actors in dog food commercials before being deported to the post-apocalyptic wasteland Trash Island.

“Black Panther” breaks barriers

“Black Panther” breaks barriers

BY JAHIYA CLARK ’20

Audiences across the nation had high expectations for the premiere of one the most anticipated Marvel films in years, “Black Panther.”While the film has been a box office success — according to Box Office Mojo the film has grossed over $462 million worldwide since its opening on Feb. 16 — “Black Panther” has also been a cultural success by --pushing the boundaries of how black people appear on screen.